Have been singing the score myself for 40 years, and Shereen Ahmed's singing was exquisite. Took my granddaughter, age 12 and my daughter to this production, and it was delightful! The only drawback was at the end ~ we were left hanging as Eliza just walks off the stage...and Henry did not follow; just stayed on stage. All three of us just felt like...what????!!! They need to rewrite that ending! The scenery, portrayals and musicianship were all well done, and we were delighted to have attended. They received a standing ovation and well deserved it!

First saw this show in London in 1958. Have seen many different productions since. Brought my granddaughter to see this production which she loved. The first act was perfection. Then we got into the second act and the utterly gratuitous drag wedding scene during what should be a rollicking Get me to the Church on time struck a sour note.Things got better and Higgins I’ve grown accustomed to her face was sheer perfection. But then the ending, Eliza appears and then walks off. Is she a figment if Higgins imagination? That was the explanation of several of the audiences younger set. I was totally confused.Very unsatisfactory ending for me but still a spectacular show!.

I saw this on the 23rd. I was soo impressed by scenery and seamless scene changes by the actors! The ability of the ensemble cast who had to keep jumping in and out of different characters!! The entire cast was wonderful! I thought Eliza was charming her ability to jump in and out of her Cockney and proper English was impressive and Harry could really sing!

So there were three things that struck me while watching my fair lady- The protestors for women's suffrage in white (such a huge contrast with all of the colors), The lack of any real chemistry between Eliza and Higgins (she was infatuated, but when she sang the song about the world going on she sang it confidently rather than longingly). And the ending where she leaves. I think they purposefully reframed the whole thing so as not to fit the typical woman needs man scenario. Those were all conscious choices by the director- not accidents and turned the typical trope from decades past into a relevant message. Fantastic!

What a great performance was last night at the Arsht Center in Miami, actors, stage, orchestra, all acted as one. Thank you for bringing art to us, my husband and I had a great evening.

The ensemble was extremely talented, particularly the actress who played Eliza Doolittle and the secondary actor who sang “on the street where you live”. Great supporting voices, costumes and interesting revolving stage concept. It’s a well staged revival - with a modern twist to the ending. I was wondering how this musical which focused much on class and gender differences would be seen through a contemporary lens - the producers obviously added more diversity to the cast and a “feminist” conclusion. Clearly a modern interpretation of a very traditional and classic musical. I’d strongly recommend it to children, teens and adults who appreciate a great theater experience.